CINEMA AND THE ARTS: Reassessing Theodor Adorno’s Late Work

ABSTRACT This paper starts from a revision of Adorno’s late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno’s late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres.

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Bibliographic Details
Main Author: SILVA,RAQUEL PATRIOTA DA
Format: Digital revista
Language:English
Published: Centro Brasileiro de Análise e Planejamento 2022
Online Access:http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0101-33002022000200353
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