CINEMA AND THE ARTS: Reassessing Theodor Adorno’s Late Work
ABSTRACT This paper starts from a revision of Adorno’s late work, in particular his remarks on cinema, published in the 1960s. Our hypothesis is that cinema acquires relevance in Adorno’s late work not only through a shift in his position regarding that medium itself, but rather due to a broader transformation in his aesthetic position, encompassing a distinct view on the procedures of modern art and the complex relations between the different artistic genres.
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Format: | Digital revista |
Language: | English |
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Centro Brasileiro de Análise e Planejamento
2022
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Online Access: | http://old.scielo.br/scielo.php?script=sci_arttext&pid=S0101-33002022000200353 |
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